E Komo Mai!

Twenty Years in the Making...

Released July 2026...Spectral Matching Mastering

Intuitive Dream-Narratives... 14 New Songs Released by David Elias

New Release 2025. Originally Recorded in 2000!

David Elias - The Once & Future Times (Boulder, 2000) - Notes & Lyrics (Click Here for PDF) ----- Read the story behind the release of this landmark year 2000 recording by Gus Skinas of David Elias solo acoustic (Decca Tree microphone setup) direct from mic preamps to hand built early DSD ADC converters made by Ed Meitner and into an early prototype standalone Sony DSD 2-track archive DSD recorder! The original purpose behind Sony's + Philip's work with DSD was to find the absolute best method to digitally archive the disintegrating acetate tape Vault Masters in the Sony archive. Gus & David took an experimental step in Boulder, 2000 to see what the recorder would sound like capturing a live studio singer-songwriter with an acoustic guitar, voice and harmonica. Gus used 3 special condenser mics arranged in the traditional Decca Tree setup and David played his songs that Ed Meitner's novel and iconic DSD Analog-to-Digital (ADC) converters used 1-bit Sigma Delta conversion from analog as stereo (2-track) input to the non-commercial Sony DSD recorder.

Now 25 years later (released 2025), David Elias mastered the Sony SBM (Super Bit Mapped) conversion of those early .DSD (not .DSD) audio files to .WAV as provided straight off the recorder. These are now released as Downloads (16/44.1k FLAC) from the David Elias Music Store (davideliasmusic.com) and from his Bandcamp webpage (davidelias.bandcamp.com).

When you listen to them streaming from davideliasmusic.com or davidelias.com you are hearing the 100% lossless, uncompressed audio from the mastered .FLAC. It is not a lossy streaming as provided through Spotify, Apple Music, Bandcamp, and most other streaming services. It is the original intact (i,e., best-sounding) stream possible, no different from the sound quality of the download itself.
1.07 MB

The Once & Future Times (Boulder, 2000) -- First Release 2025

The Once & Future Times (Boulder, 2000)

David Elias - Independent Acoustic & Ambient Electronic Music

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DAVID ELIAS – THE ONCE & FUTURE TIMES (Boulder, 2000). Full Track Previews on my web site are ALL LOSSLESS FLAC, not streaming as MP3, AAC, but full CD and Hi-Res resolution quality. These tracks were originally Read more

DAVID ELIAS – THE ONCE & FUTURE TIMES (Boulder, 2000).

Full Track Previews on my web site are ALL LOSSLESS FLAC, not streaming as MP3, AAC, but full CD and Hi-Res resolution quality.

These tracks were originally recorded by Gus Skinas (superaudiocenter.com) to the very earliest DSD in 2000 on a Sony prototype embedded DSD workstaion. Mastered by David Elias in Hawai'i in 2025 for its Very First Release in December, 2025. Also on Spotify, Apple Music, TIDAL, Qobuz...

One of the true bleeding edges to recording live studio Hi-Res Audio. Solo Acoustic recorded to 3 condenser mics in a Decca Tree arrangement directly to the 2-track DSD recorder/archive machine using the earliest ADC DSD Converters hand built by Ed Meitner (EMM Labs).

All Songs Music, Lyrics and Performance by David Elias ©℗2025 All Rights Reserved Worldwide

Recorded to DSD by Gus Skinas, Boulder, Colorado, 2000 Mastered by David Elias, Volcano, Hawai'i, 2025

These recordings were made in Boulder Colorado in 2000. Gus Skinas used one of the early 2-track prototypes of what would become the legendary multitrack Sonoma DSD Workstation used by Sony to record Hybrid 5.1 Multichannel SACDs shortly after.

Gus invited me to Boulder to try a 3-mic setup directly to the 2 tracks -- no mixer was used, just very good mics with very good preamps into the ADC DSD Converters that were being hand built by Ed Meitner, and then straight into the DSD recorder. The prototype was just "a small box" with a small screen and keyboard, designed for permanently archiving Sony Vault tape masters to an analog-like (PDM) hi-res digital format they invented with Philips called DSD (Direct Stream Digital).

We recorded using just that gear and my guitars and voice and some harmonica. I was playing songs that were mostly new at the time and would appear on several albums to come, including my first and only 2 SACDs on disc ("The Window", "Crossing") and a 2001 live stage album I recorded as a trio in an otherwise empty well acoustic-ed playhouse in Half Moon Bay, CA off Hwy 1, just below San Francisco.

"Half An Hour Away" was a 2001 CD I self-produced and performed by the David Elias & The Great Unknown trio: Myself, Gary McArthur (flute/tenor sax), and Lisa Kelly (mandolin). I wanted to try recording a stage performance with some mics in the empty playhouse theater audience space. So I put mics in the front 4th row or so, and in the very back near the wall in the balcony. I used these mic tracks in the mix for natural delay and natural reverb. Spot mics were used on my voice and guitar, flute/sax, and mandolin. No digital effects, no edits. Nothing except our trio on the stage, and the nice sounding room to fill with ambient acoustics. I also had spot mics on guitar, voice, flute/sax and mandolin.

This is the approach I then took recording "The Window" SACD in 2002 as well as "Crossing" in 2005 as pure DSD recordings made with and mixed/mastered on the Sonoma DSD Workstation.

These songs are personal honest bare naked recordings. As much so as anything I could do then or now. I have had a name for my approach to stark, barebones, honestly accurate recordings: Audio Vérité.

This was recorded 25 years ago. I guess I had to wait until my ears grew up to hear it just right. No mixer, effects, compression or anything else was used to influence the sound. Just straight Audio Vérité.

  • DE, December 16, 2025 credits released December 21, 2025

All songs, words, and music by David Elias ©℗2025, All Rights Reserved Worldwide

Published by David Elias Music https://davidelias,com

Recorded to DSD by Gus Skinas, Boulder Colorado, 2000 Mastered by David Elias, Volcano, Hawai'i, 2025

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